Wednesday, November 11, 2009

The Witch of Blackbird Pond

Speare, Elizabeth George.  1958.  The Witch of Blackbird Pond.  New York: Bantam Doubleday Dell Publishing Group, Inc..  ISBN 0440495962

The Witch of Blackbird Pond is the story of Kit Tyler’s first year in America. Moved from Barbados after the death of her grandfather, the idealistic and pampered girl is shocked to find her family’s way of life in Connecticut so rustic.

Kit quickly learns that the simple way of life is not the only barrier which she must scale. The puritanical views of the townsfolk toward other beliefs, the unknown and the King of England will separate her from many of her new neighbors, and eventually lay suspicion upon her.

Learning to fit in while keeping her own identity and staying true to those who she considers friends, even in the face of adversity, are things with which Kit must cope.

This classic novel tells a somewhat predictable story, but it is no less engaging for it. The authentic setting, believable characters and vivid descriptions make this an enjoyable and relatable story.

The inconsistent tense was distracting in places, but the accurate representation of the learning methods, daily work and ideals of the townsfolk made the novel more than worthwhile.

This story certainly reflects the moral standards of the time, but it also goes a long way to enforce what is considered right today: truth, honor, respect for all. While the dealings with prejudice and bigotry are integral to the story, the themes point the reader to the conclusion that such beliefs are flawed.

An important time in U.S. history and a classic work of historical fiction, The Witch of Blackbird Pond would be an acceptable choice for engaging a child’s interest in 17th century New England.

The Witch of Blackbird Pond is the winner of the John Newbery Medal (1958) and the is listed as an international winner for the International Board on Books for Young People (IBBY) Honor List (1960).



“This book has a lively plot and excellent characterizations. The background has every dimension of reality.” (The New York Times)

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